Lindbergh, Shadows on the Wall - Peter Lindbergh, TASCHEN

“What is merely beautiful has always bored me. I’m interested in what is powerful and real.” —Peter LindberghWith such credits as shooting the first American&amp,nbsp,Vogue&amp,nbsp,cover under Editor-in-Chief Anna Wintour, bringing together for the first time a group of young women who would become the&amp,nbsp,’90s supermodels, and numerous&amp,nbsp,solo exhibitions at world-renowned institutions&amp,nbsp,including the&amp,nbsp,Pushkin Museum&amp,nbsp,in Moscow, the&amp,nbsp,Ullens Center for&amp,nbsp,Contemporary&amp,nbsp,Art&amp,nbsp,in Beijing, and the&amp,nbsp,Gagosian&amp,nbsp,in London,&amp,nbsp,Peter Lindbergh&amp,nbsp,is a master of his craft who has made his mark in the halls of&amp,nbsp,photography history.The industry quickly became enamored with his almost anti-fashion photography,&amp,nbsp,capturing the zeitgeist and the spirit of his subjects&amp,nbsp,rather than pursuing today’s search for perfection, which he considers inhuman.Handpicked from&amp,nbsp,37,000 unreleased photos from his groundbreaking 2017&amp,nbsp,Pirelli&amp,nbsp,calendar shoot, Lindbergh offers an intimate insight into a pool of extraordinary talent:&amp,nbsp,Nicole Kidman,&amp,nbsp,Julianne Moore,&amp,nbsp,Alicia Vikander,&amp,nbsp,Charlotte Rampling,Dame Helen Mirren,&amp,nbsp,Jessica Chastain,&amp,nbsp,Kate Winslet,&amp,nbsp,Léa Seydoux,&amp,nbsp,Lupita Nyong’o,&amp,nbsp,Penélope Cruz,&amp,nbsp,Robin Wright,&amp,nbsp,Rooney Mara,&amp,nbsp,Uma Thurman, and&amp,nbsp,Zhang Ziyi.His message is simple. These intimate images represent a different kind of beauty, far away from society’s obsession with youth and perfection, one which is concerned with&amp,nbsp,individuality, the courage to be yourself, and your very own sensibility.